Happy Thorsday!

thorkidorki:

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Someone needs to get Thor 2 here pronto…

(via mira-of-sassgard)

we can be who we are

(via icyblueroses)

team-hiddleston:

And the award for the cutest, cutie who ever cuted goes to *drum roll* TOM HIDDLESTON!

team-hiddleston:

And the award for the cutest, cutie who ever cuted goes to *drum roll* TOM HIDDLESTON!

(via starspangledgirlwithaplan)

hiddleswiggles:

hiddle-stoner:

unlimitedhearts:

Tom Hiddleston in blue

They all look like different men, with different personalities.

Tom Number One is the brooding type. He likes to make sexy faces and woo all the ladies. He woos but he’s always true to one when he gets a real girlfriend.

Tom Number Two is the happy-smiley type. Nothing rains on him, because nothing can. He’s kind of like Samwise Gamgee. Always looking for happiness, always being happy.

Tom Number Three is the wise man. He’s very straight-forward but always fun. He’s take you out to a bar and then pretend to not remember what happened the next day and signal you with a covert wink.

Tom Number Four is the always excited Bradley Cooper type. Always with a scheme and and idea up his sleeve. He and Tom Number Three get on very well.

Tom Number Five is the sensitive “I’m here for you baby” type. He’s always attentive to your needs and likes to see you smile.

Tom Number Six is a player. Young and wild he is. He leaves a trail of broken hearts and swooning men and women in his wake. They all love him because he’s so wild and carefree.

Tom Number Seven is the suave Englishman. Sexy is his personality and nothing can take that away from him.

Tom Number Eight is kindhearted and quiet. You’ll find him with a good book, and his headphones in, Earl Grey tea to the side of him, just within his reach.

What I find amazing is that this is all the same man. All the same and yet so different. This is why I, and we all, love Tom. He’s so versatile in and of himself that he presents different personalities all the time, and it’s brilliant.

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(Perfect description is perfect)

In conclusion, he IS Loki.

Sigh…now, to find someone like him within my age range before I die an old maid…

(via asgardian-in-the-tardis-at-221b)

jenniferdamiano:

you know that one celebrity who just makes you so inexplicably happy and has changed your life so much aND YOU JUST WANT TO SAY “THANK YOU FOR YOUR EXISTENCE” BUT INSTEAD YOU JUST REBLOG ANOTHER FIVE PHOTOSETS OF THEIR FACE

I want to go to Cambridge and read Shakespeare and do better in drama class because of Tom Hiddleston…so I guess, yeah.

(via asgardian-in-the-tardis-at-221b)

whereallthesoulsarelying:

Tom Hiddleston’s Guinea field diary: Day 1 (x)

It hits you like a wave. It envelopes you like a rolling fog. It washes over you like the tide. Heat. West African heat. Guinea. It’s hot. I’ve come from snow. From a world of airport closures and flight cancellations, from slippery pavements, woolly hats and collars raised against the chill. But when I landed only hours ago in Conakry, Guinea, after clearing customs I stepped outside into the evening air. The heat. The unmistakable scent of sub-Saharan Africa. Noise. Smells. Traffic. Not western metropolitan traffic, organised into lanes of air-conditioned portals of music and luxury, but the tangible, palpable energy of traffic in the developing world: human, animal, mechanical – all surging forward in a rushing tide, in an order invisible to the western eye, simply because it looks initially like chaos. I didn’t sleep. I couldn’t. I was too excited. I stayed up the night before clearing my inbox and cleaning the house. 4:30am. A car arrived to take me to Heathrow. I met up with the team: Louise O’Shea and Pauline Llorca from UNICEF UK, Harry Borden our photographer, and my friend Luke Windsor, who introduced me to Pauline a year ago. The first leg was quick: London to Paris, where we met Julien Harneis, the UNICEF representative in Guinea for the last three years. From Paris Charles de Gaulle our Air France jet took off for Conakry.

Then I slept. When I woke up we as we were descending into Nouakchott, Mauretania, where we were due to drop a few passengers. Outside my cabin window: desert. Miles and miles of it. Massive and ancient. By the time we had arrived in Conakry the sun had set and it was dark. We jumped into 4x4s but we’d only been in the car for half a minute before Julien asked the driver to stop. Across the road from the arrivals terminal was a car park littered with children. Islands of them. Not playing together. They were sitting on the ground: solitary and still. They were reading. Because, as Julien explained, that is one of the only safe places for them to learn. Here, there is electric streetlight for them to read by, and at night they don’t have do chores or to work. Some children walk for an hour just to sit on the ground in a car park to read. A country like this immediately collapses the walls of your imagination and pushes them back by immeasurable distances in opposing directions. It’s mind-expanding. I have felt like this on previous occasions after landing in India. Life teems from every corner and quarter. I feel as though the cardboard box of my own reality has been flattened and blown open. Now I can see the edge of the world. We have dinner with Julien and two more team members, Felix and Pierre. We are accompanied by wild cats and bats. Over couscous and quiche, Julien gives me a potted history of the country. What I find immediately baffling is that in West Africa, here in Guinea and in Sierra Leone, nobody teaches pre-colonial history. Here, “history” begins with the arrival of French colonialism in the late nineteenth century. This means that in the collective consciousness there is no historical knowledge or narrative detail that pre-dates the arrival and structural integration of French colonial custom. Guinea declared independence from France in October 1958. Of all their neighbouring states, Guinea was the loudest voice of dissent. They didn’t want the French way of life; they didn’t want French infrastructure, French socio-political order; or French culture. They knew what they didn’t want, but they did not know – they did not have a vision for – the country they wanted to build in its place.

Not knowing what you want is a problem of the state, but it is also a problem at a developmental level. UNICEF are here to support the vision of the country in their vision, but if they lack a vision in terms of health or education, if they lack a vision of the society they want to create, it’s very difficult to help, or to know how to help. At dinner, Julien tells me something thought-provoking. In Western Europe, reality is relatively fixed. In Guinea, reality is open to interpretation. In the west, we process and organise information so quickly and with such immediate (possibly imprecise) rigour that we respond to events, as individuals and collectively as a society, with speed and decisiveness. The BBC, the Guardian or CNN consolidate or frame our interaction with an event: be it a declaration of war, the passing of a new law, a royal wedding or an Olympic gold medal. In Guinea, there is no news; there is only rumour. There was a noise in the village. Some say it’s a bomb, others say it was a gun-shot, others say it was a building collapsing, other still that it’s war. Perhaps this area is too big, its disparate elements too fragmented, its narrative continuity too fluid, to be understood as a whole. Guinea has been blessed with more peace than its neighbours in recent times, and seems to have avoided being drawn into military conflict. But the same principle applies: a poor nation, with a muddled sense of itself, cannot hope to build a structure that nourishes society without literally feeding its inhabitants.

It’s become immediately clear that the problems in a developing country such as Guinea are enormous, but they can be simply defined as water, nutrition, sanitation, vaccination and education. Above all else, the children, who will inherit the future, and shape the future of this country – need clean water, iron, minerals, vitamins, inoculation against disease, and education.

Tom really needs to stop making me fall in love with him even more.

(via low-key-lie-smith)

dfjules:

bbanditt:

booksandwildthings:



can i just marry this moment? harry’s just spoken in parseltounge and everyone is freaking the FUCK out and then we get this shot of Snape’s face, and he’s not scared or horrified or even amazed - and when you rewatch it occurs to you that snape is worried, and he’s just thinking ‘lily… what the FUCK is going on with your son?’ because up until now snape’s always looked out for harry ~~behind the scenes and openly disliked him whenever they’re both on screen but then there’s this and it takes everyone by surprise and snape’s facade drops for like a second because this is the kid he’s promised to protect no matter what, and it’s clear from all this crazy shit that happens to harry that it’s not going to be an easy job. and snape knows from the look on harry’s face that he didn’t know he was a parseltounge and it’s suddenly incredibly clear that harry has no idea who the fuck he actually is - the powers he has, the prophecy, none of it - and snape’s just hit with the fact that harry NEEDS to be protected because he can’t protect himself ALAN RICKMAN I COMMEND YOU I SERIOUSLY DON’T THINK ANYONE ELSE COULD PLAY SNAPE YOU ROCK THOSE GREASY LOCKS BABY 



Before filming of the movies began, JK Rowling told Rickman everything about Snape- how he died, that he loved Lily, everything he knew about Harry, and that he had sworn to protect the boy. That way, Rickman could act accordingly throughout the series. Whenever he made an acting choice that seemed out of place for the bitter, mean, Potter-hating professor, the director would ask why he made that choice. Reportedly, Rickman would answer, “I know something that you don’t!” and would walk away.

Alan Rickman: a god amongst wizards.

Fancy knowing something that the director doesn’t. HA.

dfjules:

bbanditt:

booksandwildthings:

can i just marry this moment? harry’s just spoken in parseltounge and everyone is freaking the FUCK out and then we get this shot of Snape’s face, and he’s not scared or horrified or even amazed - and when you rewatch it occurs to you that snape is worried, and he’s just thinking ‘lily… what the FUCK is going on with your son?’ because up until now snape’s always looked out for harry ~~behind the scenes and openly disliked him whenever they’re both on screen but then there’s this and it takes everyone by surprise and snape’s facade drops for like a second because this is the kid he’s promised to protect no matter what, and it’s clear from all this crazy shit that happens to harry that it’s not going to be an easy job. and snape knows from the look on harry’s face that he didn’t know he was a parseltounge and it’s suddenly incredibly clear that harry has no idea who the fuck he actually is - the powers he has, the prophecy, none of it - and snape’s just hit with the fact that harry NEEDS to be protected because he can’t protect himself ALAN RICKMAN I COMMEND YOU I SERIOUSLY DON’T THINK ANYONE ELSE COULD PLAY SNAPE YOU ROCK THOSE GREASY LOCKS BABY

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Before filming of the movies began, JK Rowling told Rickman everything about Snape- how he died, that he loved Lily, everything he knew about Harry, and that he had sworn to protect the boy. That way, Rickman could act accordingly throughout the series. Whenever he made an acting choice that seemed out of place for the bitter, mean, Potter-hating professor, the director would ask why he made that choice. Reportedly, Rickman would answer, “I know something that you don’t!” and would walk away.

Alan Rickman: a god amongst wizards.

Fancy knowing something that the director doesn’t. HA.

(via low-key-lie-smith)

hiddlestonhug:

trusotoan:

hiddlestonshire:

“As Tom, I believe very strongly in kindness. It’s like a secret weapon. It can move mountains.

Tom Hiddleston’s Acts of Kindness.

I cannot get over how ceaselessly sweet Tom is. He is such a kind-hearted, well-mannered man; his existence alone restores my faith in the good in humans in the world. I no longer want to focus on the negative aspects of humankind… surely, there is innocence, and love, and amiability, and authenticity roaming about. Surely, there are people who believe in positive energy and practice it. Surely, the best that we must do and become is kindness itself. And I am glad Tom Hiddleston is proof of that.

^THIS

If nothing else on Tumblr, this is the post that I would want Tom to see the most. He needs to see how much we truly admire and look up to him, and how his mere existance makes the world a better place. <3

(via tomhiddleston-h)

tomhiddles:

“Benedict’s Star Trek villain is going to become the next Loki on Tumblr

You have got to be kidding me.

lisbethrooney:

phantomslittledevil:

Oh no. What a nightmare. 

I hate One Direction omfg and their fans are almost as obnoxious as Bieber’s.

Oh no, but we know how it feels to love, adore, and worship EIGHT idiots who don’t know we exist.

(via tomhiddleston-h)